Jack Swart has over 20 years experience in all facets of cinematography, lighting, sound and editing and operates as part of a large crew or as a one man band. He spent 6 months in Africa on Mad Max Fury Road and 5 years shooting travel docos all around Australia.   4K cinematography 3 Netflix approved Sony PMW F55 Cine Alta 4K digital cinematography cameras Shooting in HD and 2K to 150fps and up to 240fps in 16 bit raw GoPro8, 4K waterproof microcam with hyperstabilisation Lenses 15, 21, 28, 35, 50, and 85mm Zeiss CP2 PL prime lenses TOKINA 11-16mm T3 PL zoom Two RED 17-50mm T3 PL zooms, RED 50-150mm T3 PL zoom Two Sony 18-252mm FZ zooms Accessories 5" OLED 1st AC monitor, Teradek 500, 7" HD wireless monitor, 21" monitor Miller Solo, carbon fibre tripod. 100mm bowl. 22cm to 187cm in height GlideGear dolly with 6m of track, Edelkrone Slider Plus Pro 700mm 2 Sony ECM 77 wireless lapel mikes with camera mounted Wisycom receiver Hand mike, Audix SCX One hypercardiod boom mike 2K, 650w Arri tungsten lights Forza 300B and 720B with modifiers, Lowell LED soft lights and 2 LED Dedos Subaru Forester AWD camera car UHF walkie talkies Sound Devices 664, 6 channel mixer/recorder with timecode 6 Sony ECM 77 wireless mikes with 3 stereo receivers 2 wireless MKH 416 booms and 2 Audix SCX One hypercardiod mikes Two camera mounted mono UHF receivers for camera links 4K post production DaVinci Resolve 18 with 16TB SSD storage with 56TB HDD raid backup. Fusion 18 and Boris FX Continuum plugins, Dual 27” GUI monitors. 24" TV Logic XVM-245 Grade 1 monitor, Tangent Elements grading panel