Jack Swart has over 20 years experience in all facets of cinematography, lighting, sound and editing and operates as part of a large crew or as a one man band. He spent 6 months in Africa on Mad Max Fury Road and 2 years shooting travel docos all around Australia.   4K cinematography Netflix approved Sony PMW F5 Cine Alta 4K digital cinematography camera Shooting in HD and 2K to 150fps and raw and up to 240fps GoPro Hero 8, 4K microcam with hyper stabilisation Lenses Zeiss CP2 15, 21, 28, 35, 50, and 85mm PL prime lenses TOKINA 11-16mm T3 PL zoom RED 18-50mm T3 PL zoom, RED 50-150mm T3 PL zoom Sony 18-252mm FZ zoom Accessories 7" Blackmagic on camera monitor/ProRes recorder and 7" HD wireless monitor Miller Solo, carbon fibre tripod. 100mm bowl. 22cm to 187cm in height GlideGear dolly with 6m of track, Edelkrone Slider Plus Pro 700mm 2 Sony ECM 77 wireless lapel mikes with camera mounted Wisycom stereo receiver Hand mike, Audix hypercardiod boom mike Arri 2K, 800w, 650w and 300w fresnels, Lowell soft lights and Dedos with dimmers Bi-colour LED light panels plus gels, reflectors and on camera LED light Subaru Forester AWD camera car 12 UHF walkie talkies My sound recordist adds a Sound Devices 664, 6 channel mixer/recorder with wireless timecode lock and roll 6 Sony wireless mikes with 3 stereo receivers 2 wireless MKH 416 booms and 2 Audix SCX1 hypercardiod mikes Two camera mounted mono UHF receivers for multi cam shoots 4K post production DaVinci Resolve 16, Fusion 16, FCPX, Motion 5, NewBlue animated CG Dual processor Mac Pro, 12TB SSD, GTX 1080Ti graphics card, two 27" GUI monitors FSI 24"HD DCI-P3 grading monitor, 55"LG HDR OLED client monitor